I have a curiosity and amazement for the things I discover in nature that is reminiscent of the first explorers. They would bring back to home cabinets filled with shells, skulls, skins, beads and feathers, along with journals full of drawings and descriptions of these unknown and never-before-seen living creatures. Whenever I travel, I gather natural objects.
Typically, I endeavor to primarily focus on photos and drawings because removing something from its rightful place can potentially cause harm. However, there is one distinctive item that possesses an irresistible charm for me: sea shells. I thoroughly enjoy discovering them, diving into readings about the molluscs that once dwelled within them, and most importantly, admiring and sketching their captivating beauty. The intricate patterns and mesmerizing colors, along with the captivating luster of their surfaces and the thrilling textures resulting from erosion, make them truly exceptional objects.
While I am collecting, I try to stick to a few rules.
Firstly, I consciously avoid collecting any objects that contain living organisms. If there is a hermit crab inside, I leave the shell undisturbed. If the mollusc is still alive, I return it to the shallow water. Although I intend to preserve the lives of these molluscs, it can be a surprisingly difficult task – the vibrant shells of the live cowries look so much better than the dull ones that are easily found ashore. What beauties they are! With a sigh, I put them back where they belong.
Secondly, I enjoy drawing whatever I come across in the moment or immediately after a trip. The setting may not always be ideal for sketching, such as a sunny beach with minimal shadows, but there is a certain charm in the sense of working spontaneously with the available materials. I typically carry one or two sketchbooks, along with pens, markers, and some watercolour supplies. My travel bag is mostly occupied by my natural history journal set:)
Thirdly, after a few trips, I have ceased to bring back the entire beach with me. Clearly, I don't require every last one of the shells I see! Although all of them hold significant value in my hungry heart, I do find solace in only selecting a few that I intend to identify, draw, and add to my collection. I refrain from gathering every minuscule cowrie, regardless of its appearance or the fact that I already possess numerous specimens of the same species. By leaving them undisturbed, they can serve as homes for hermit crabs and other creatures, eventually becoming one with the shore in the state of sand.
Lastly, I have become more selective in what I am searching for. My favorite genera are Cypraea and Conidaea, so I primarily search for those. Also, I have developed a routine. I have found that it is optimal to go shelling early in the morning (as there is a lesser chance of getting sunstroke), during low tide (providing the opportunity to walk far along the shoreline and see if any empty shells are present), in the section of the beach where there are some large rocks (as a substantial accumulation usually forms there each morning or after a storm). It is intriguing to observe that certain areas have an abundance of specific species, with layers of shells gradually fading in color under the scorching sun, ranging from vibrant orange, cream, and chestnut to a bleached white. Additionally, it is fascinating to witness the delicate top layer of a plump cowrie shell chipping off, revealing a deep, rich purple layer underneath.