These pages solve a problem of "too much copy, too little space", and "too little copy, too much space", and while this served as a challenge, it led me to think about typesetting for print differently than I had before doing this project.

Page 1 is image centric. It makes use of hierarchy and dynamics by tracking the angle of Frank Lloyd Wright's eyes to the margin, and the large amount of text does not distract from the images.

Page 2 is text centric. The headline takes up almost half the page, and the images serve as abstract points of movement and dynamics.

Page 3 makes use of Wright's cane in the image to set the type in a dynamic, non-grid manner.