無腦 Without Computer
展覽概念
Exhibition Concept
Exhibition Concept
無腦，我們想得更深。
「無腦」，必非意指空洞的設計，「腦」代表電腦。 在本次畢業製作的發想過程、實驗階段、設計產出，都減少對電腦的依賴。 發掘電腦無法取代的設計，從實驗中尋覓意外火花，說明「人腦」在設計中扮演多麽重要的角色。
Without Computer, We Think Deeper.
"Without computer" means that we reduce the use of computer throughout
the design process, finding the unexpected and irreplaceable sparks of beauty. We want to examine that "brain" plays much more important role than "computer" in design.
「無腦」，必非意指空洞的設計，「腦」代表電腦。 在本次畢業製作的發想過程、實驗階段、設計產出，都減少對電腦的依賴。 發掘電腦無法取代的設計，從實驗中尋覓意外火花，說明「人腦」在設計中扮演多麽重要的角色。
Without Computer, We Think Deeper.
"Without computer" means that we reduce the use of computer throughout
the design process, finding the unexpected and irreplaceable sparks of beauty. We want to examine that "brain" plays much more important role than "computer" in design.
大腦開機
在電腦發達的時代，學設計的我們使用許多電腦軟體進行繪圖、排版、建模，在經過觀察反思後，我們發現自己對軟體産生依賴，甚至會在思考未完善透徹時便急於打開軟體，著手進行設計。
在電腦發達的時代，學設計的我們使用許多電腦軟體進行繪圖、排版、建模，在經過觀察反思後，我們發現自己對軟體産生依賴，甚至會在思考未完善透徹時便急於打開軟體，著手進行設計。
另一方面，社群媒體串聯迅速，衆多設計平台出現，現在搜尋資料非常容易，輸入一個關鍵字便能搜出上百張近似圖片。資訊快速傳遞的結果使得潮流容易被掌握，視覺風格也常受主流媒體影響，這或許也跟近年新一代或是各畢業展覽作品關注的議題與視覺風格同質性都相當高有關。
會使用軟體就能稱為設計師嗎？
去掉了熟悉的軟體，設計的本質是什麼？
Turn on Your Mind Before Computer
With the rapid development of computer, we use much software to draw, typeset, and model. After reflecting ourselves, we find that we rely too much on them. Sometimes we rush to computers and start designing without thinking thoroughly. On the other hand, Social networking and platforms for design spring up nowadays, which makes it easy to search information. We can get hundreds of similar pictures just by typing one keyword. The swift data transmission also results in the restricted common value of visual style.
With the rapid development of computer, we use much software to draw, typeset, and model. After reflecting ourselves, we find that we rely too much on them. Sometimes we rush to computers and start designing without thinking thoroughly. On the other hand, Social networking and platforms for design spring up nowadays, which makes it easy to search information. We can get hundreds of similar pictures just by typing one keyword. The swift data transmission also results in the restricted common value of visual style.
Can we call ourselves designers only because we can use software correctly?
What is the essence of design if software no longer exists?
展場設計以「腦紋」作為發想起點，幾何化為「鋸齒狀」的主展牆結構，
相較平直的牆面，有更多樣的使用空間；亦能遮蔽部分視野，強化整體展場的層次與深度。
相較平直的牆面，有更多樣的使用空間；亦能遮蔽部分視野，強化整體展場的層次與深度。
展覽規劃
Exhibition Design
概念展示區
主題分為四個層次：移除、有機、五感、協力。在各組作品之前，用六個裝置闡述主題概念，作為楔子。
Intro
Exhibition concept include four levels : UNPLUGGED, NATURALLY, SENSES, WITH. As the prologue of the exhibition, the curatorial team presented six installation arts to elaborate the concept.
Exhibition Design
概念展示區
主題分為四個層次：移除、有機、五感、協力。在各組作品之前，用六個裝置闡述主題概念，作為楔子。
Intro
Exhibition concept include four levels : UNPLUGGED, NATURALLY, SENSES, WITH. As the prologue of the exhibition, the curatorial team presented six installation arts to elaborate the concept.
電腦軟體確實為許多龐雜的事物提供了簡單的解法，然而我們在享受便利的同時，忘記了每個功能背後的意義。
若剝去電腦的外殼，回溯功能背後被簡化的過程，在重新實踐的同時，我們會發現，那每個步驟都是思考碰撞後的結果。
UNPLUGGED Sense Of Salary, TOOOOT
Computer software has offered us many simple solutions to complicated cases without doubt. However, while we are enjoying the convenience and efficiency it had brought to us, we cast behind the true meaning of every function.
If we could strip away the appearance of the computer, trace its function to its roots, we will discover that every step of simplification is the result of interaction
of different disciplinary ways of seeing things.
製圖大師 ft. 手（圖左）
剝離出電腦的製圖功能，化作真實的裝置。透過與裝置的互動，凸顯過程才是價値的所在。
Drawing master (left)
The drawing functions which belong to computer software is materialized, and through interacting with the device, it emphasizes that all working process for better refinement were the true value of every creation.
電腦？（圖右）
當創造的過程被定義，就會成為思考的束縛。跳脱出電腦，重新檢視創意在自己心中真正的模樣。
Computer? (right)
When the process of creation is defined, it limits the boundaries of thinking. Think outside the “box” if you can, and review what creativity should be like in your mind.
NATURALLY A Ream Of Time, TOMONO, Among Thousand Peaks, Soup to Nuts
The alluring unique patterns created by Mother Nature are the initial form of beauty. The force of nature was the twist to our design, and by capturing the profoundness of changing nature, we’re aim to unveil the unpredicted creativity of design.
世上不是缺少美
法國雕塑家羅丹曾經説過，生活中處處充滿美，缺乏的是發現美的眼睛。此區將讓觀者利用特殊的觀看方式，使其有「窺探、發現」大自然的美的驚喜感受。
GOLDEN RATIO IN NATURE
GOLDEN RATIO IN NATURE
French sculptor Auguste Rodin once said, “Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her.” This area is meant to let audiences to see things in special ways and experience the surprising outcomes we get by “peeking and discovering”.
五感 氣味鄉投、PA 工作室、無腦末日、恐懼密密
電腦計算而來的正確答案沒有含括人性中柔軟的情感，最未知而複雜的連鎖反應其實就在我們腦中。紛亂的思緒、情感、過往的回憶、五彩紛呈真假難分的感受，通通糾結在一起擰成天馬行空的想像。
電腦計算而來的正確答案沒有含括人性中柔軟的情感，最未知而複雜的連鎖反應其實就在我們腦中。紛亂的思緒、情感、過往的回憶、五彩紛呈真假難分的感受，通通糾結在一起擰成天馬行空的想像。
SENSES Aromosa, PA Studio, The End Of Computers, Holey Shape
The cold answers we get from the calculation of the computer have none of the soft emotion that belongs to humanity. The most unknown and complicated reaction are happening right in our brains. The chaotic emotions, the shattered memories of the past, the colorful disconnected feelings are all twisted together to bring this extraordinary outcome of imagination to light.
1-0之間
電腦依循著有限的規則運算，人腦卻能跳脱框架，在有限中創造無限。
BETWEEN 1 AND 0
BETWEEN 1 AND 0
The computer has limiting rules and certain calculations to follow, while the brain can think outside the box, and discover the unlimited ideas within the limited resources.
我們定義彼此為不可替代的獨立存在，擁有自己的思考，即使面對相同的道路，也跨著不同的步伐。
我們並非被動地旋轉的冰冷齒輪，而是不斷交換著電流與養分的細胞。通過交流與碰撞，設計的腦袋才不會死去。
We humans are defined as “fundamental individuals”. We have our ways of thinking. We may end up walking in different paces even we are walking along the same path.
We are not cold metal gears spinning reluctantly. We are, in fact, cells that can’t stop exchanging electric pulses and nutrition. The variety ways of interacting and collision are the saviors for the brains of creativity.
We are not cold metal gears spinning reluctantly. We are, in fact, cells that can’t stop exchanging electric pulses and nutrition. The variety ways of interacting and collision are the saviors for the brains of creativity.
當筷子太長（圖左）
圍著圓桌，過長的筷子，地獄的人只想夾給自己，天堂的人則互相餵食。天堂還是地獄？每一個你，都有選擇權。
MY CHOPSTICKS ARE TOO LONG, HELP ME PLZ (left)
MY CHOPSTICKS ARE TOO LONG, HELP ME PLZ (left)
Take a seat, help yourself. How would it be possible to eat with those chopsticks? Only if you decide to give someone a helping hand and wait for someone to give you one. Whether to starve or get fed, it’s totally up to you.
們（圖右）
都市冷漠、科技冷漠；在這個門前都不復存在。合力打開一扇與人交流互動的們吧。
dOUR (right)
Neither the apathetic urban people nor the indifferent technology exists in front of the door. Open one and start interacting with others.
Exhibition Scene
After Party
腦師說
Dialogues
《無腦・臺師大設計系2018畢業展》策展團隊就「無電腦」的主題，邀請了一位設計師兼策展人與四位資深職人分享他們的專業。策劃一個好展覽的必備知識；電腦與數位軟體未普及的時代，暗房沖片與活版印刷産業的故事；拼貼創作與手繪招牌體的手感溫度……
Dialogues
《無腦・臺師大設計系2018畢業展》策展團隊就「無電腦」的主題，邀請了一位設計師兼策展人與四位資深職人分享他們的專業。策劃一個好展覽的必備知識；電腦與數位軟體未普及的時代，暗房沖片與活版印刷産業的故事；拼貼創作與手繪招牌體的手感溫度……
Behind The Scenes
Work Team：
Curating：盧瑨、陳致希、魏仕媛、彭琳、吳宗瑄、侯馨莉、溫品翰
Visual Design：陳莉卉、傅矞、陳又瑜、曾子庭、陳羿安、昔倫廷、吳宗瑄
Editorial：魏仕媛、王師、趙子賢、謝秉辰、林彥妤、彭琳
Public Relations：游惠元、陳宜君、黃于玲、黃維婷、陳俊諺
Social Media Editor：章惠欣、莊淨惠、李易儒、溫雅嵐、金萱妍
Set Coordinator：曹中明、張嘉鈞、溫品翰、郭小彤、劉思郁、溫允典
Finance：侯馨莉、姜喜貞
General Affairs：陳韋利、周書漢
Instructor：廖偉民、鄧建國
Curating：盧瑨、陳致希、魏仕媛、彭琳、吳宗瑄、侯馨莉、溫品翰
Visual Design：陳莉卉、傅矞、陳又瑜、曾子庭、陳羿安、昔倫廷、吳宗瑄
Editorial：魏仕媛、王師、趙子賢、謝秉辰、林彥妤、彭琳
Public Relations：游惠元、陳宜君、黃于玲、黃維婷、陳俊諺
Social Media Editor：章惠欣、莊淨惠、李易儒、溫雅嵐、金萱妍
Set Coordinator：曹中明、張嘉鈞、溫品翰、郭小彤、劉思郁、溫允典
Finance：侯馨莉、姜喜貞
General Affairs：陳韋利、周書漢
Instructor：廖偉民、鄧建國
National Taiwan Normal University department of design
2018 Graduation Exhibition - Without Computer
2018.6
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